January 2019 - RADIOVENICE.TV

Lantz Lazwell & the Vibe Tribe service the deep, melodic desires that drives us to dance, while dazzling the senses with a complete immersive experience … unparalleled.

Lantz has not only been a national touring artist for years, but has sat in with and played alongside with such greats as George Clinton and Funkadelic, Bernie Worrel (Talking Heads), Norwood Fisher and Angelo Moore (Fishbone), Stephen Perkins (Janes Addiction), Cory Glover and Doug Wimbish (Living Colour), The Neville Brothers, Leo Nocentelli (The Meters), Eric McFadden (The Animals), Afrolicious, Vokab Kompany; but also was the winner of a Los Angeles Music Award for “Best Rock Male Vocalist” in 2007. And also appeared in 2014 as the house band on the Andy Dick Show.

The New Album “Counter Clockwise” is due out in spring of 2019. And they just released a new single “Do it Again”, which got its first radio play on KRXQ (sacramento CA) in Fall of 2018.

They are a festival staple … a powerhouse of talent and showmanship … Lantz Lazwell & the Vibe Tribe bring the funk ‘n’ soul anthem back into your heart & rock you right.

Lantz Lazwell & The Vibe Tribe on Radio Venice

Radio Venice S10.E04 – February 3, 2019

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Drawing from his Nashville roots, film composer, singer songwriter, producer, and performer Andy Tubman aka Skinnytubs creates lilting melodies and sensual grooves which captivate with warm intimacy. Songs such “Do It Again” from the 2016 Keith Gattis produced album, Sea of Sin, evoke the sounds of Jeff Buckley and Ray LaMontagne with emotional spellbinding and stunning simplicity.

The cofounding member of the LA based Jane Does, Skinnytubs now prepares for his self-produced and soon-to-be-released solo album Ether. With a diverse collaborative cast including Dennis Hamm of Thundercat (keys and synth), and James King of Fitz and the Tantrums (flute), Ether is a soul pop masterwork that woos listeners into melancholy rapture.

Skinnytubs on Radio Venice

Radio Venice S10.E04 – February 3, 2019

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Mary Beth Abella is the recipient of the Lionel Richie Songwriting Scholarship at UCLA Extension, finalist in the Song of the Year contest, a nominee of Westword Magazine’s Best of Denver and was named top 10 artists by the Denver Daily News. Mary Beth sang and played keyboard in Dr. Jinx’s (Sean Combs, aka P Diddy) backup band on the show “It’s Always Sunny in Philadelphia,” and her songs have been featured on MTV’s Real World/Road Rules, in indie films, and on internet and college radio stations across the country and world. She was one of the vocalists for an Old Spice live campaign that was featured on multiple news stations, and as a background singer, her voice can also be heard on TV shows and in movies, such as “Hot Tub Time Machine Too,” multiple episodes of “It’s Always Sunny in Philadelphia,” and “The League.”

Abella has toured in Seattle, San Francisco, Portland, Chicago, Las Vegas, and Denver, and has performed at dozens of venues and festivals in both Denver and Los Angeles, including playing at the Fiddler’s Green Ampitheater in Denver, the Hotel Cafe, the Roxy, the Farmer’s Market at the Grove, Molly Malone’s, The Satellite, Silverlake Lounge, The Bootleg, and many others with her band or with her other band, The Chromium Heart.

All three of her albums, including “In Another Life,” “Nice Girl” & “What Happened to the Girls?” are available at www.cdbaby.com, iTunes, and everywhere music is found.

Mary Beth Abella on Radio Venice

Radio Venice Season 10 Premiere – January 13, 2019

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Imagine if Billy Joel started a band with Zac Brown & Gram Parsons. That’s Rusty Tinder!

The singer-songwriter began taking piano lessons when he was six years old, and like most boys decided that sports and girls were more important when he was going into high school. When he told his mom he was quitting piano, she made him take choir. Though 14-year-old Rusty was completely devastated, he now reflects on that choice with gratefulness. Choir galvanized his love for music and made him realize he wanted to share his gift with the world.

After high school graduation, Rusty took his newfound love for singing to new levels by studying Opera in college, though it didn’t last long. In school, Rusty came to the conclusion that he preferred writing his own music and playing in bands. He ended up getting the most general music degree Washington State University had to offer and moved to the Midwest, where he started several jazz-rock bands.

Oddly enough, it was moving back to the West Coast that made the young musician fall in love with country music — a genre he used to make fun of.

Fate took Rusty on tour with his friend Doug Cameron’s alt-country band Stranger Neighbor for six months, where he realized this sound’s melodic nature was perfect to play on the piano and also fit the way he was feeling. After a big move to L.A., Rusty played piano in the country rock outfit Von Cotton for eight years, covering the likes of Merle Haggard, Willie Nelson, and George Strait. He was officially hooked on country.

Now, years removed from that starry-eyed twenty-something, Rusty Tinder is stepping into the spotlight for the first time in his career.

“I’ve been in the situation before where I get the fire started and I let the fire die,” he says about starting a solo project. “This time, I’m not letting the fire die.”

Rusty credits his son as the reason for making his own music the priority this time around. “I’ve thought, What kind of legacy do I want to leave for me and for my son?” he says about the new chapter in his career. “What do I want to put out into this world, and what is it going to take?”

With a rotating cast of talented musicians, the singer-songwriter has been hard at work creating music that’s deeply personal to him. The result is his debut solo album—a collection of songs that call to his sonic past and see him dissecting his love, fear, and sorrow.

“My songs are my honest expression from my own personal emotion,” he explains, and that genuineness is present throughout his debut album.

The album’s lead single, “Don’t Grow Old in Hollywood,” may sound like a jangly, tongue-in-cheek sing along on the surface, but at its core, it mirrors Rusty’s real-life trepidation of keeping his family in L.A. forever. “From the Start” calls on contemporary folk and saloon piano as Rusty longs to rekindle the spark in relationships, while “Passing You By” is rooted in the folk greats of old as he talks of eliminating toxic people from his life. At the slower times, the focus is magnified on Rusty’s piano playing and vocal prowess. The haunting, sparse ballad “You’re Still Mine” finds the seasoned musician processing the grief of losing his father. Simply put, writing music is his therapy.

And he hopes it can be therapeutic to others, too. Through both his live show and recorded music, he wants to take listeners on a journey. He wants to give them an unforgettable experience and hopes they come out the other end changed in some way. More often than not, they do.

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