BRAVO the album!

Thank you to everyone who supported our Indiegogo campaign!

CAMPAIGN CLOSED



A message from the fabulous Suzy Williams …

Tis I, Suzy Williams, back from my “Lint-Brush with Death” … One month ago I just about croaked from pneumonia, and … thanks to a helluva lotta people, I got to live to tell the tale. I feel so damn lucky. The upshot of it is that I got enlightened during the illness and the recovery, and now I don’t smoke cigarettes and I’m a morning person!! And another thing: I have decided to record my beautiful songs, so that if I do need to keel over, at least I’ll have something to show for it!

Read the full story here »

KENA

Kena is a powerful female producer and musician duo based in Los Angeles.

Multi instrumentalists Adrienne “AeB” Byrne and Luna Achiary unite forces to create dynamic sets, rooted in deep house, future bass, electro pop and world music.

By combining synthesizers, flute, handpans, guitars, drum machines, thumb piano and vocal psychedelic loops, Kena is on a quest to enchant the world, filling the gap between human and the machine.

Their sensual, soulful blend can remind of Odezsa, Bjork, Bonobo and Radiohead.

KENA on Radio Venice

Radio Venice S09.E11 – November 18, 2018

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Sunny War

It’s no secret that great art comes from the margins. From those who are either pushed to create from inner forces, or who create to show they deserve to be recognized. Los Angeles based street singer, guitarist, and roots music revolutionary Sunny War has always been an outsider, always felt the drive to define her place in the world through music and songwriting.

As a young black girl growing up in Nashville, she searched for her own roots, looking first to the blues she heard from her mother’s boyfriend, and learning from a local guitarist. Moving to Los Angeles in her teens, she searched for herself in the LA punk scene, playing house shows with FIDLAR, and shoplifting DVDs from big box stores to trade at Amoeba Records for 80s punk albums. But here too she found herself on the outside, working to bridge her foundation in country blues and American roots guitar traditions with the punk scene she called home. She first made her name with this work, bringing a wickedly virtuosic touch on the fingerstyle guitar that sprang from her own self-discoveries on the instrument. But her restless spirit, a byproduct of growing up semi-nomadic with a single mother, led her to Venice Beach, California, where she’s been grinding the pavement for some years now, making a name for her prodigious guitar work and incisive songwriting, which touches on everything from police violence to alcoholism to love found and lost.

Sunny War on Radio Venice

Radio Venice S09.E11 – November 18, 2018
Radio Venice 100th Episode – May 6, 2018
Radio Venice S06.E13 – October 29, 2017 with Anus Kings
Radio Venice live at Timewarp – May 28, 2017
Radio Venice S05.E04 – April 2, 2017
Radio Venice S04.E08 – October 30, 2016
Radio Venice #23 – March 13, 2016
Radio Venice #6 – October 25, 2015

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Brother Billy Stobo

Born from the tradition of bringing good stories to music, Brother Billy’s first release “Don’t Fall Asleep on the Tracks” has conjured up spirits of the past with tales of jilted love, pointed historical commentary, and folks having raucous good time.

With the evocative puberty anthem “Red Ribbon” to the cynical retort of “Your Grand Design” he gets right to the sweet, the sad, and the naughty.

His Hopeless Choir is a revolving door of many talented musicians that give a little to help a lot in lifting up the spirit of his oh-so-spirited music.

From the snow-capped mountains of Oklahoma to the pale-painted deserts of Louisiana – from the coal-firing cost of California to the sweeping serenity of New York City – everyone could use the kind of smile that comes from spending a little time with Brother Billy.

Brother Billy on Radio Venice

Radio Venice S09.E11 – November 18, 2018
Radio Venice S08.E09 – May 20, 2018
Radio Venice S06.E07 – September 10, 2017
Radio Venice S06.E02 – July 2, 2017
Radio Venice S05.E05 – April 9, 2017
Radio Venice 1 Year Anniversary Show – September 25, 2016
Radio Venice #17 – January 31, 2016
Radio Venice #14 with Spiel – January 10, 2016
Radio Venice #1 – September 20, 2015

Follow Brother Billy and the Hopeless Choir
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Spiel

‘To play or not to play?’
Tis a question oft asked by Spiel.

Whether tis gracious to stomp ones foot in celebration or in protest, the result is quite the same … ball bouncing, titty tickling “Rockin Space Blues” of the finest order.

To be certain … engaging with the men of Spiel ensures an experience that is a sense-ational journey. With Spiel at the helm, you will be transported from a state of seductive spinal massage to an ass puckering power shot of adrenaline then back again. more Spiel »

Barry Conley

Barry Conley is a professional recording engineer, producer and musician. In his formative years, Barry studied electronic and experimental music composition with Earle Brown (cohort of John Cage) and Morton Subotnick.

Barry’s professional career started with an engineering position at Baby’O Recorders in Hollywood where he worked with George Harrison, Stevie Ray Vaughan, and The Red Hot Chili Peppers. Barry went on to work at Sunset Sound and Paramount Recording Studios with such artists as Miles Davis, B.B. King, Ike Turner, and The Stray Cats.

Barry Conley on Radio Venice

Barry and his Outofcontrol-atron have become a regular feature on the couch of Radio Venice … click here to see all the archived shows

Radio Venice #21 – February 28, 2016
Radio Venice #19 – February 14, 2016
Radio Venice #17 – January 31, 2016
Radio Venice #15 – January 17, 2016
Radio Venice #14 – January 10, 2016
Radio Venice #13 – December 12, 2015
Radio Venice #12 – December 6, 2015
Radio Venice #11 – November 29, 2015
Radio Venice #10 – November 22, 2015
Radio Venice #9 – November 15, 2015
Radio Venice #8 – November 8, 2015

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Michael Jost

Born in Dreieich, just outside of Frankfurt Germany, guitarist Michael Jost (pronounced ‘yoast’), found his way to the bohemian Venice Beach boardwalk, in Los Angeles California, where he now lives and makes music.

Owing to Michael’s unique European heritage, his rigorous classical training, and his 21st Century American experience, you can hear something very different in his passionate, Spanish-style guitar. Michael’s travel companion is Miss Lucy, a Flamenca guitar built by Tomas Delgado of Candelas Guitars. She has a strong character, with a warm and beautiful sound.

Michael has a unique sound. His music is a journey in time and space fueled by his passion for music and his instrument. His influences are very multicoloured and involve different styles, continents and time periods from Paco De Lucia and Stravinsky to Jimi Hendrix and Pink Floyd.

No two of Michael’s live performances are ever the same, drawing from his recent albums, Zeitlos and California Burning, as well as unreleased songs from his upcoming album, Concierto.

Zeitlos is a timeless and unique blend of acoustic, classical and flamenco styles, entwined with the sounds and soul of Venice, California. His earlier album, California Burning, is a psychedelic fusion of electric and acoustic guitar. more Michael Jost »

XAN

Music has always been my passion. I’ve been playing since I was four or five years old. I started by playing the recorder then the harmonica and found myself drawn to church organs but rarely was given the opportunity to play one, and none ever materialized under the Christmas tree. Thanks a lot Santa!

One day I found a guitar that my mom had left behind and by the time I was thirteen I bought my first electric guitar. Soon after I formed my first band with three other kids from school, we called it Black Light Blues. It was fun while it lasted but when I turned fifteen I dropped everything I was doing, including the band and just played when I felt like it.

Without knowing why or how, my inspiration slowly drifted and started sounding more and more like classical music. I started playing on the Venice boardwalk and the first day I made, well … five bucks. That didn’t sound like much but it certainly was enough for a meal. I kept doing it each weekend and gradually made more and more each time. Eventually I took my act to Santa Monica’s 3rd street promenade. Although it wasn’t half as fun as Venice, there I found a very appreciative crowd. I eventually got to work and recorded my first CD. It took me three years but I did it!

Ever since I’ve been doing more professional work such as studio sessions, short movie soundtracks, private events and small concerts as a solo act and with other artists.

XAN on Radio Venice

Radio Venice S09.E10 – November 11, 2018

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Frank Fairfield

Frank Fairfield performed American vernacular music professionally for several years, eventually realizing how mentally unfit he was for that profession. He quit the music racket and joined a crew of unlicensed construction workers servicing a hand full of unusual small museums and theater in Los Angeles. That led him to the The Yard Theater, where he now currently resides and helps run with his friend John Ennis. He still plays music, practicing the violin everyday for his own edification and occasionally performing with friends like Meredith Axelrod and The Temple Street Stringband.

Frank Fairfield on Radio Venice

Radio Venice S09.E09 – November 4, 2018

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… fine music